I have worked in remote communities for many years. I loved the connection I formed with the communities, and I amassed quite a collection of Aboriginal artwork on bark. It's actually worth quite a bit of money now, in addition to the massive sentimental value when I recall my relationships with the artists who made the work. I still have to move for work regularly, so I've become quite an expert on how to move delicate artworks on non-traditional formats. This blog is all about strategies for moving and storing delicate artwork so they can be enjoyed for years to come.